course, my flute. The cello (Nóra Krokovay), the electric guitar (Kis Attila) and the percussion will be part of the definitive orchestra of the cine-concerts with another percussionist (Cserey Csaba) coming from jazz. They will see the ‘Death of Dracula ’project through to the end, taking part in the final recording and the Work in Progress concerts with the other musicians who will be joining us. The traditional Hungarian orchestra option could have served as the nucleus of the film-concert line-up, but Kaptza received a scholarship to spend several months in the USA and take lessons, so the members of the group were no longer available. As the work on the film's music progressed at the same pace as the finalization of the images, it was also necessary to rethink the future orchestra. Another session was organized in the autumn of 2022, in Ravazd by Mediawave, which led to some promising avenues of work. At this point in the work, we added an electric bass and an accordion, although the former will disappear from the final score, the latter (Móser Ádám) will make its way all the way to the studio recording phase of the music and will remain associated with all the phases of the work in progress presentations of The Death of Dracula. Cello and electric guitar were always there, and there were also two traditional violins, which were later replaced. I myself brought the sound of the flute. This session gave us the opportunity, based on the footage already shot and the editing well advanced, to match the images and sounds, the musical themes with the filmed sequences and it seemed to us that this could work, at least from our point of view as musicians. It also allowed us to get feedback from the filmmakers and their first impressions. By making a few comments, they validated our work. We made several little changes to fit their vision. The electric bass will be abandoned for good after a third session in March 2023. The idea remained. 104
Lost Analogue: Exploring Film, Music, and Interdisciplinary Methods in Education Page 104 Page 106