The first musical workshop in Cluj Napoca, Romania. Photo by Zsófia Makkai In imagining this third session, I felt it was necessary to add an entirely external element to this orchestra that would challenge us. So, I called on a great master of real-time electro to act on the sounds of the solo instruments. Christian Sebille, who will also take part in the final recording and in the film-concerts in their final form. Although the sound result was most interesting, and a very powerful revelation for the performers who had never before experimented with this form of music, we had to abandon the real-time track fairly quickly. However, it took us a long way forward and opened the door to another possibility. Unfortunately, the system isn't flexible enough to match the images. While keeping the idea of using electro music, we decided instead of ‘real-time’ to use prepared sounds, with various types of synthesizers, called up live and in a more flexible and precise way during the film-concerts. 105