An electric guitar Accordion Flute (Low Whistle) Percussion (created by Csaba Cserey) In this configuration, we were able to record all the themes corresponding to the existing images and produce a first complete model before the arrival of two other long sequences and the adjustments due to the insertion of the dialogue cards, which slightly modified certain durations without changing the character of the music. Only two parts of the first 40 minutes had to be changed. One piece of music was moved, another modified and a new composition replaced the theme that had been moved. When I received the last images, I was able to fix all the themes and suggest to Christian Sebille that he prepares his synthesizer interventions. It was in March 2024 at the GMEM in Marseille, where he is director and artistic director, that we were able to work in excellent conditions and with plenty of time to choose the types of sounds. He then worked alone to make these sounds compatible with his personal quest for quality in an area where my skills are extremely limited. To enable him to cover the whole film, I recorded the missing pieces, I did it in solo. And I joined it at the time with the December 2023 work with the Orchestra. In April, I was able to listen to the collection of sounds and atmospheres he had created for the film based on the demos, some of which had not been played by the orchestra. It was a good base to choose which ones of them will feature at last the film music. All that remained at this stage was to bring all the elements together, each having been able to experiment with new things, new situations and find personal solutions to the problems posed by the cohabitation of styles. As far as I was concerned, it was up to me to give unity to the whole by creating the conditions for a fruitful dialogue between everyone. 109