practices I was proposing and that I had to provide them with other scores to play if the session was to be effective and prolific. Ending the first musical workshop in Cluj Napoca, Romania. From left to right: Andrea László, Miquèu Montanaro, Sára Domahidi, Lilla Unger, Kamilla Kasabian, Ádám Móser, Csaba Cserey, Nóra Krokovay, Attila Kis. Photo by Zsófia Makkai The afternoon improvisation session wasn't enough to provide enough material, so I had to take advantage of my evenings at the hotel to arrange all the themes in a classical way. In these scores I left room for interpretation, which would later be adapted to the proposals of the other members of what was beginning to take shape as the definitive orchestra. String quartet An extra violin An additional cello 108