Progress ’state, to be put to the test in front of an audience made up almost exclusively of music and film professionals, including the directors of some of the sequences. The audience of the first test screening of The Death of Dracula at the Mediawave Festival. Photo by Mira Mărincaș It was also an opportunity to check that everyone had found their place and that the musical openness of the project functioned more as a unity in diversity than as disparate elements juxtaposed, especially as two elements were integrated for the first time, the baritone violin in total improvisation and the live electronics in concert. Despite the surprise of these two elements, the other musicians quickly adapted and found their place in the new sound. 111