The Animato Quartet (Sára Domahidi, Lilla Unger, Kamilla Kasabian, Andrea László) recording their part in the studio. In the background: Christian Sebille and Csaba Cserei. Photo by Zsófia Makkai Sára Domahidi: It was a new experience to play with electronic effects, perhaps disconcerting at first, until I understood the role of this special alloy in the film. Renáta Gyárfás: The electronic effects were good, even if sometimes I found them a little too present or not quite appropriate. There were soft melodies that should have conveyed calmness in themselves. Nóra Krokovay: I had no problem integrating classical music, I'm used to it. Integrating electro was more difficult, the experience was often too much for me. Maybe it's also because we recorded it separately (in the studio) and it wasn't possible to try out much live. But it definitely has its place in the music. It's just harder to integrate than classical (written) music. 129