Nóra Krokovay: Wonderful. Lilla Unger: It's great to work with musicians of different ages. Everyone has different experiences; you can borrow knowledge from everywhere. Kamilla Kasabian: It's always a good opportunity for new and different ideas, experiences and interpretations. Csaba Cserey: It's a very good feeling, for example in my case to play with young musicians but also with older ones, because in music age doesn't matter. Attila Kis: I have no problem with that. It felt good. Andrea László: Very good, I found common ground with everyone. It's good to work with more experienced and older musicians, you can learn a lot from them. The atmosphere was always very good, and the aim of making music and playing together enabled us to forge bonds. Ádám Móser: I like playing with musicians of different ages, because each age group contributes differently to the ensemble. Christian Sebille: Bringing generations together is an essential part of the project. There are very few projects these days where age is a factor in inclusion. This intergenerational element meant that we had to be open to the younger and older generations. The transmission has therefore been multiple, without imposing one. Baltazar Montanaro: No difficulty (I didn't realize there were age differences). 134
Lost Analogue: Exploring Film, Music, and Interdisciplinary Methods in Education Page 134 Page 136