Open Music, Film-Partitions and Visual Poems can be endlessly re-visited by anyone who wishes to do so, including the participants in the music for The Death of Dracula, in the hope that this practice will open up new creative perspectives. My solo augmented MAR features a film, recorded natural sounds, pre-recorded poems recited in Occitan, simultaneous translation into French, and improvisations on traditional instruments from Provence processed by a special sound-alteration and looping software called Logelloop. A version with symphony orchestra has also just been created. This form is no longer a full, augmented solo, but all the elements remain and blend together to create a dream, a hypnotic sensation, a sea journey towards greater humanity. That's the aim of my work, to show that through music, if we organize ourselves in the right way, we can share the world's human wealth with everyone without anyone lacking anything. The conditions are created by laws, and the law of music is one of them, obeying all the vibrations. Accuracy is the physical relationship between the notes, and it's what we're constantly looking for and striving to create. The Death of Dracula project has helped us to explore this further. 148