Abstract The Death of Dracula is a collaborative project that blends the aesthetics of analogue filmmaking with the precision and flexibility of digital techniques. Shot on 16mm black-and-white film stock, the film consciously embraces the grainy texture and visual qualities of this medium. To overcome the inherent limitations of analogue workflows, a digital intermediate (DI) process was integrated into post-production. While this hybrid approach presented unique technical challenges, it ultimately expanded the film's visual vocabulary. 78