Miquèu Montanaro and Christian Sebille rehearsing for the test screening at Festejada in Correns, France. Photo by Zsófia Makkai Sára Domahidi: It was a challenge; it was difficult at the beginning but at the same time it was a liberating feeling when I had the courage to improvise. Renáta Gyárfás: I was happy that we could improvise freely within certain limits and that I could stop playing only from the score, playing only what is written in the score. I'd like to improvise more so that, with time, I'll have more courage to improvise more difficult melodies and not just a few sounds. 120