Kamilla Kasabian: Improvisation and free music can be a liberating experience. It's within set limits, not everything is extravagantly liberated but everyone is. You can contribute to the musical material and the experience according to your own tastes. Csaba Cserey: I feel really good playing free music, because I've been doing it for a long time, and as a jazz drummer it gives me a fantastic feeling. Attila Kis: Playing with other musicians is always a good exercise, especially for a guitarist accustomed to accompaniment who has few opportunities to practice from spontaneous reactions. Andréa László: It was good to practice something new, to play music with new people. Ádám Móser: I really enjoyed practicing Open Music, as it helps to develop musical communication with other musicians. Everyone can participate at a level and style that suits them. Christian Sebille: The Dracula-project, produced by the Association of Hungarian Filmmakers of Transylvania and the Sapientia University, was an opportunity to create new international links for the GMEM, Centre National de Création Musicale de Marseille. The film project led by Róbert Lakatos was exemplary in its construction with the young filmmakers. As for the musical composition by Miquèu Montanaro, it brought together international professional musicians (from Hungary, Romania and France) and young artists at the beginning of their career. His musical writing, combining remarkable themes, original arrangements and experimental sound design, has created a composition that is both accessible and sophisticated. Baltazar Montanaro: The open music exercise has made me question my own practice and pay attention to what's going on around me. 113