1 Reflective Evaluation Study Lost Analogue project T able of c ontents TABLE OF CONTENTS ................................ ................................ ................................ ............................... 1 INTRODUCTION ................................ ................................ ................................ ................................ ....... 3 A BOUT THE PROJECT ................................ ................................ ................................ ................................ ................................ ....... 3 T HE PROJECT S BACKGROUND ................................ ................................ ................................ ................................ ....................... 4 P ARTNERSHIP ................................ ................................ ................................ ................................ ................................ .................. 7 Association of Hungarian Filmmakers in Transylvania, ACMT ................................ ................................ ............. 7 rdgkatlan Festival Association ................................ ................................ ................................ ................................ .... 7 HTFA Research Institute ................................ ................................ ................................ ................................ .................... 7 MIMO Association ................................ ................................ ................................ ................................ ................................ . 7 O BJECTIVES OF THE EVALUATION STUDY ................................ ................................ ................................ ................................ ...... 8 METHODOLOGY ................................ ................................ ................................ ................................ ..... 9 EXPERT INTERVIEWS ................................ ................................ ................................ ................................ ................................ ......... 9 P ARTICIPANT SURVEY ................................ ................................ ................................ ................................ ................................ ... 10 PARTNER INTERVIEWS ................................ ................................ ................................ ................................ ................................ .. 10 ASSESSING LEARNING EXPERIENCES ................................ ................................ ................................ . 11 D EMOGRAPHICS OF SURVEY PARTICIPANTS ................................ ................................ ................................ .............................. 11 P ARTICIPANTS MOTIVATIONS AND EXPECTATIONS TOWARDS THE PROJECT ................................ ................................ ........ 12 P ARTICIPANTS GENERAL EXPERIENCE ................................ ................................ ................................ ................................ ........ 14 I NNOVATION IN THE PROJECT S CREATIVE PROCESSES ................................ ................................ ................................ ............. 16 W ORKING WITH ANALOGUE FILM TECHNIQUE FILMMAKERS EXPERIENCES ................................ ................................ ........ 17 Experiences and learnings from analogue film technology ................................ ................................ ................ 19 Analogue filmmaking through the lens of digital technology ................................ ................................ ........... 23 Benefits and challenges of rotating roles in film production ................................ ................................ .............. 24 C REATING AND PERFORMING THE FILM S SCORE MUSICIANS EXPERIENCES ................................ ................................ ...... 27 Growth through innovations in musical collaboration ................................ ................................ ......................... 27 Expanding musical approaches through improvisation and the "open music" method ........................... 29 P ARTICIPANTS VIEWS ON INTERDISCIPLINARY WORK AND COLLABORATION BETWEEN DIFFERENT FIELDS ....................... 31